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Whatever's gone down often the drain, including the thirty-nine other pupils who provided their health, “Aaah! ” to help the title of out involving knife, “my biceps and triceps, my breast, my body :::. knife” (Bald Voz, 74), the Professor as well seems to be wanting selected psychophysical effects of vocal behavior of which, by way of method of punk, funk, and even heavy metal, are presently common on MTV, when on the assumptive levels he is apparently outdoing Roland Barthes on “the materials of the speech, ” through which, when words really speak—that materialization connected with words by way connected with the body, the fleshiness or even tactility—what heard is definitely “the tongue, the glottis, the teeth, the mucous membranes, the nose, ” whose meaning is a good seduction from which “signifiance blows up, ” erotically more and other than words, providing into effectiveness “not this soul although jouissance. ”9 It's probable, way too, in order to see the Professor's singing lesson not only by the perverse opportunities regarding his imagination, nonetheless throughout the terms employed by Foucault writing of Deleuze, his or her theater of phantasms, which functions at the limits involving bodies, but versus systems, way too, sticking to them, yet sticking it to them as well, cutting these individuals available and multiplying their very own areas, as a web page of metaphysics for typically the disillusioning of phantasms; throughout short, a space of notion “never