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The prestigious movie theater in Vienna was, of course , the Burgtheater, and while it had been there in peripheral eye-sight, Nestroy's plays have been obviously not compatible along with its edifying repertoire involving stentorian theatre in verse, set from some secular distance, generally antiquity, regarding a pseudocultivated intellectual people. As to what may possibly be shown, what not, even to the next one hundred year, with modern stirrings inside the drama, a number of rules had been imposed having an unbreakable rigor by the deputies of the Hapsburgs: little mocking of a monarch, or eyebrow raised in critique; so too with the particular ecclesiastical, no components or perhaps sites of ritual permitted to be observed on level: zero crypts, altars, funerals, and so, if they thought of doing Hamlet, this gravedigger was out; incest, adultery, no question, forbidden; nor could a man and woman leave the step together unless supported by simply a servant. In addition to no lamps down—as Schnitzler signaled, together with asterisks inside the text—while sexuality and fertility made the round, of which dubious dance of Reigen (better known here because La Ronde). Thus, something that has been in jeopardy could just show up in often the popular theater, as well as puppet theater, with its affinities to commedia mime. And this, to begin together with, was the centre intended for Nestroy, whose large, skinny figure often socialized such as a puppet, even in the curtain cal