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The prestigious movie theater in Vienna was, of course , the Burgtheater, and when it had been there in peripheral perspective, Nestroy's plays were obviously certainly not compatible with its edifying repertoire of stentorian episode in ser visibles, set in some secular distance, primarily antiquity, intended for a pseudocultivated highbrow open public. As to what could very well be revealed, what not, even in to the next millennium, with newer stirrings throughout the drama, particular polices have been imposed having an unbreakable rigor by the deputies of the Hapsburgs: little or no mocking of a monarch, or eyebrow raised in critique; so too with often the ecclesiastical, no aspects as well as sites of ritual in order to be noticed on period: not any crypts, altars, funerals, therefore, if they thought of doing Hamlet, this gravedigger was out; incest, marriage act, no question, forbidden; nor could a gentleman and woman leave typically the step together unless accompanied simply by a servant. And even no signals down—as Schnitzler signaled, with asterisks throughout the text—while sexuality built the round, that dubious dance of Reigen (better known here as Chicago Ronde). Thus, bill that was in jeopardy could solely show up in often the popular theater, or the puppet theater, with it has the affinities to commedia mime. In addition to this, to beg